WEBVTT

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 Thank you.

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 Good afternoon. Welcome everybody. This is our regularly scheduled.

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 Meeting of the historic landmark commission.

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 First thing I'll notice that we do have a quorum present.

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 So we are good to open the meeting.

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 Let's start the meeting with the pledge of allegiance.

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 If we can all join in.

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 I pledge allegiance to the United States of America.

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 And to the Republic.

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 For which it stands.

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 One nation.

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 Under God.

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 Indivisible.

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 With liberty and justice for all.

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 And now the Texas pledge.

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 Honor the Texas flag.

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 I pledge allegiance to the Texas one state under God,

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 for which it stands.

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 I pledge allegiance to the Texas one state under God,

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 for which it stands.

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 With a little housekeeping here.

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 Roy.

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 Mary.

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 We have Evan.

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 Is Angie here yet? No, not yet. Okay.

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 Now.

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 Okay.

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 Noted the quorum. Okay.

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 There's going to be a slight change in our agenda.

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 We're going to move item D.

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 Which is a report on.

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 The five G historic district poll options to the very end.

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 Are there any.

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 Discussion about that.

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 Otherwise we'll consider it done.

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 Hearing none. I think we have actually.

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 Five things on our agenda.

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 Item two.

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 Item two is to consider,

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 which is HLC 20 dash zero four eight.

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 Consider the approval of the September 21st, 2020 minutes.

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 I think those were all attached to our version.

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 So I need a motion to.

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 Carry that forward.

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 Okay.

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 Thank you.

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 And then we have a motion to approve the approval of the minutes.

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 Has been submitted.

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 I second the approval of the minutes.

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 Okay.

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 Cassandra. Thank you, Evan. Thank you.

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 We have a motion to second any corrections or discussion.

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 Hearing none.

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 Let me call the role.

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 Yay for Roy.

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 Mary.

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 Yes.

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 Janelle.

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 Okay.

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 Now, Evan.

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 Present.

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 Okay. Is that a yay or an A or an abstention?

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 On the approval of minutes, you have to.

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 Vote yes for the minutes.

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 Or no.

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 Oh, okay. Yeah.

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 A for the role.

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 Okay.

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 Angie.

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 It's not here.

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 Melody is here somewhere. No.

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 Melody is not here.

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 Cassandra.

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 Yay.

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 Okay. So we have.

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 I think.

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 One, two, three, five eyes and no nays. So the minutes are approved.

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 Thank you.

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 Chair, I think, did you, did you include melody in that?

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 Yay.

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 Okay.

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 I count six years. Okay. Okay. Yes.

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 Got it. All right.

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 The second item on our agenda is.

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 To consider approval of the 2021 historic landmark commission meeting

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 calendar for next year.

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 This came up, I think last month, and we all went through this.

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 And I think it's going to be.

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 It's a housekeeping type.

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 Motion. Why don't I just open it up for discussion?

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 You know, do you,

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 does everyone here have their version of the calendar?

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 I'll read off the dates.

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 I've got on the screen. If you want, if you, if you want to read it,

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 you can read as well, but I also have it on the screen.

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 Kind of hard to see, however, but.

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 Okay.

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 Typical.

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 Except for April, I believe we moved that up to the fifth.

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 Right. We moved it up one,

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 just because it wouldn't be on our tax deadline. So.

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 Okay. Hearing no discussion.

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 I need a motion to approve the calendar and then we'll vote on that.

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 A motion to approve the calendar.

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 Do we have a second?

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 No discussion.

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 Motion and a second. Any further discussion?

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 Hearing none.

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 Mary, your vote.

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 Hi.

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 Janelle.

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 Lenny is out. Evan.

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 Melody.

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 Melody.

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 Hi.

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 Katie is out and Cassandra.

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 Hi.

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 And I'll switch up the order of these and a Roy votes. Yes.

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 So we have one, two, three, four, six.

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 Yay. Zero nays motion passes.

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 That will be our calendar for next year.

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 Okay.

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 Okay. The next thing on our agenda. Item C C O a dash 20 dash.

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 Oh, one six.

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 Is the whole to public meeting and consider an application for

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 redevelopment.

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 To repaint a building located at eight 15 North Locust,

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 which is a designated local.

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 Historic landmark.

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 The site is located on the west side of Locust street between Ferguson

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 and Pauline street.

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 I think Ron is our presenter. So I'll turn it over to you.

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 Thank you, chair.

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 I'm going to go ahead and share my screen.

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 Okay.

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 So again, as mentioned, this is for a COA.

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 To consider a C.

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 A repainting.

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 Project for property located at eight 15 North Locust.

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 Locust street that is, and you can see from the.

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 Image here that it's in this area here. That's shown in purple.

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 On the left.

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 On again, Locust street.

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 The subject property or subject home as you see here is the,

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 a home that's been there.

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 And for some time that's it's considered a Southern Victorian.

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 Architecture. It's a local historic landmark.

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 It was designated back in 1998.

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 And it's known as the Brown low house, according to our list.

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 The entire structure.

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 My understanding is that the applicant has,

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 or has acquired a property where the interior has been redone.

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 And they're wanting to re.

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 Rehab the exterior as well.

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 So that's part of their proposal is to repaint the entire structure.

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 They do provide the color palette that you see here.

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 And they're also providing some examples of.

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 How the roof trim as well as any accent.

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 For the subject project.

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 The applicant submitted some examples to illustrate what their intent is,

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 is to enhance the architectural Victorian.

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 Style of the home by providing the more muted or more.

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 Controversial style of the home.

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 What the Victorian home would look like.

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 Staff did analyze the subject application as you know,

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 the applicant is trying to rehab the existing home.

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 It is a historic landmark designation.

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 So it does need to follow a standard.

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 And it does not have to be.

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 This in particular was more of a rehabilitation of the structure.

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 So in your backup,

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 I provided some standards that relate to the work in,

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 in staff's analysis.

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 It does meet the requirements and the standards and therefore staff is

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 recommending approval for the subject site.

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 To be repainted as presented.

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 For the property located at eight 15, North Locust street.

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 So that's the plan.

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 That's the plan.

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 Thank you.

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 That's it.

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 Thank you.

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 That's it.

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 Thank you.

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 I understand for any questions.

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 My understanding is the applicant may or may not be on the call,

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 but hopefully she is.

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 She, she was very excited.

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 And there they are about the project.

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 And if you have any questions for them,

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 or if you would like for them to talk about what they're planning to do,

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 I certainly that's, that's an option for the commission.

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 And if you have any questions, feel free to go ahead.

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 So I never knew that was Southern Victorian.

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 It certainly kind of looks like a strange.

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 Tutor style of sorts.

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 It's actually more of a queen and Victorian.

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 I'm sorry, I'm sorry, I'm sorry.

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 I'm sorry.

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 I'm sorry.

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 I'm sorry.

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 I'm sorry.

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 It's for preservation and standards for rehabilitation.

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 And I, which one did you say this?

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 You'd sent that out. I was looking at the hood. She'd sent out.

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 There's preservation rehabilitation and restoration.

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 And you said which one you were.

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 Rehabilitation.

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 Okay.

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 Thank you.

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 I think all of them can apply,

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 but that one was more specific to what the applicants were trying or

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 are trying to do.

00:11:07.000 --> 00:11:08.000
 Okay.

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 Thank you.

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 This does a point of clarification.

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 These are designated historic standard colors.

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 So the colors that we've chosen are not listed in the exterior

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 historic colors, but they are, they have a lot of similarities to those.

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 We are looking at.

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 The design for the place.

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 She is an interior designer and been doing this for over 30 years.

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 And so we were looking in comparison to the houses that are surrounding

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 us.

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 With Giuseppe's restaurant to one side.

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 And another property on our left that are both the color palettes of

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 the hour, which is kind of like a deeper gray or blue gray.

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 And so.

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 So some of the historic colors tend to have a little bit more yellow in

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 the neutral tones.

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 And so these are very comparable to those just without that.

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 Yellow undertone.

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 When it comes to the body of the house.

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 I'm very familiar with the houses you speak of.

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 I've stayed in the one you're going to paint my next door neighbor.

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 I'm not sure that is a color except for patchwork white.

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 The last time I saw it.

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 So I'm not sure that worrying about matching those colors is of any

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 interest whatsoever since they desperately need a paint job.

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 Yours looks great compared to their paint job.

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 So I guess I'm back again as to why.

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 You're just saying that because it's a little touch warmer.

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 You want a less warm color is what you want.

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 When it comes to the body of the home.

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 Yes, we were not going for the golden yet, the golden neutrals that tend to be in historic color palette.

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 We wanted something that was a little bit softer than those colors.

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 Okay. Are there any other questions for Ron or for our property owners?

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 Well, I have a question for Ron.

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 I mean, if the historic committee, I mean, I'm all for painting the house.

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 God knows I live in one that's old enough.

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 That if you're changing the color, you had to change them to historic colors to meet the guidelines put forward.

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 So Ron, if you would explain to me how these colors meet the standard since I would be up against the same thing if I painted my house.

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 I can use the exact same color or I have to use a historic palette.

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 So I want to know how this qualifies.

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 So, you know, one of the things, obviously, it's not any historic district.

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 It's actually a historic landmark.

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 So as far as the development code, there's really not much we can go by.

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 We fall back to the Secretary of Interior's standards.

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 And I looked at the requirements and as mentioned earlier in the backup, I included some of what those standards are.

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 There was really nothing specific to color.

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 I know that we mentioned in our code that they have to be historic colors.

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 But those are for the historic districts.

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 We have to rely on the Secretary of Interior's.

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 Now, how we interpret that, that can be a little bit different.

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 It's not really clear.

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 They don't really give us any direction as far as types of color, but just have to match the architectural style of the home.

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 And this is a local landmark as opposed to a national?

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 This is a local correct landmark only, yes.

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 OK, any other questions?

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 OK, so here are our options as a commission.

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 We we can approve as submitted.

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 We can approve subject to conditions we can deny or continue.

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 Any of those would take a motion and a second for discussion.

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 Do I have a motion?

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 I move that we accept the color palette as submitted.

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 Melody Melody has made the motion.

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 I second. This is Evan.

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 OK, we have a motion and a second, so I will throw it out for discussion.

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 I think they've chosen pleasant colors. I think it's it and like the examples that they show, it's it's nothing outrageous or.

00:15:41.000 --> 00:15:44.000
 Yeah, I agree. It's nothing outrageous.

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 Yeah, as you show, we're very nice.

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 And what did you put in one bright red color so that it made those very dull flat colors look better?

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 The Christmas trees, the other one had this great house lit up at dusk.

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 So, again, you brought the warmth out from the interior light.

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 And in fact, that's what's missing from the color is the work.

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 I'm just saying that that's that's what comes across, that there was a reason that the historic colors are highly recommended, even though it's not part of the historic district.

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 And it's not has nothing to do with pleasant. I mean, I don't care if it's purple, if it's historic, that's not the gauging light.

00:16:22.000 --> 00:16:37.000
 I mean, I don't want to tell people what color to paint their house. I'm just saying if you want to have a historic landmark, you ought to at least try to to match what the suggestions are for them.

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 OK, any other discussion.

00:16:42.000 --> 00:16:52.000
 Wow, we're silent much today. All right, well, let's roll through. We'll call it for a vote. We'll start with Cassandra this time.

00:16:52.000 --> 00:16:56.000
 Katie is out Melody.

00:16:56.000 --> 00:16:59.000
 Evan.

00:16:59.000 --> 00:17:02.000
 Janelle.

00:17:02.000 --> 00:17:04.000
 Mary.

00:17:04.000 --> 00:17:17.000
 Hey, and Roy is yay. So we have one, two, three, four, five, four, one against the motion passes. Thank you very much.

00:17:17.000 --> 00:17:25.000
 Chair, before we move on just wanted to enter for the record that we don't have any online comments nor any callers for this item.

00:17:25.000 --> 00:17:34.000
 Okay, well thank the owners for being here, and it's going to be a beautiful home we look forward to seeing it finished you have any idea when you'll finish it.

00:17:34.000 --> 00:17:49.000
 Um, our thank you first of all for having us and and looking through this for us this is new to us having the historical landmark, and it should be painted by a month from now so December 5 is when we should be wrapping up.

00:17:49.000 --> 00:17:54.000
 Wow, I'm excited. Thank you very much for joining us.

00:17:54.000 --> 00:17:56.000
 Thank you.

00:17:56.000 --> 00:17:58.000
 Okay, you're welcome.

00:17:58.000 --> 00:18:22.000
 We're going to move item E ahead of item D, as we mentioned earlier, item E is co a 20 dash oh oh one eight hold a public meeting and consider a certificate of appropriateness in accordance with 2.9 point to the didn't development code to replace exterior windows at 1823 Belle Avenue.

00:18:22.000 --> 00:18:30.000
 Within the Belle Avenue historic district. The site is located on the southwest corner of Belle Avenue and Woodland Street.

00:18:30.000 --> 00:18:34.000
 And I believe, Ron is our presenter on that one.

00:18:34.000 --> 00:18:37.000
 Yes, thank you.

00:18:37.000 --> 00:18:42.000
 Share my screen real quick.

00:18:42.000 --> 00:18:52.000
 So as mentioned in the introduction, this is for a COA located at 1823 North Bell.

00:18:52.000 --> 00:19:00.000
 This is one of our first COA that I know of, since I've been staff liaison as far as the Bell Avenue historic district.

00:19:00.000 --> 00:19:04.000
 This particular property of course is located in this district.

00:19:04.000 --> 00:19:14.000
 Right there located on the corner of Woodland Street in Belle Avenue, just on the southwest corner of that intersection.

00:19:14.000 --> 00:19:28.000
 The view of the home. That's the front view that is, as you see here from Belle Avenue is described as a mid century ranch type architecture, and it was constructed in 1951.

00:19:28.000 --> 00:19:36.000
 This is a view of the site or the subject home located at Woodland Street.

00:19:36.000 --> 00:19:44.000
 And I just wanted to show that this particular viewpoint because of the windows and how they're mainly located on this side.

00:19:44.000 --> 00:19:51.000
 Now there are also a number of windows on the other side of the home, but it was very difficult to see from a street view.

00:19:51.000 --> 00:20:02.000
 But again, the proposal and the request is to replace the exterior windows, a total of 12 exterior windows.

00:20:02.000 --> 00:20:11.000
 They are described as aluminum frame windows, and they will be replaced with aluminum clad windows for the project.

00:20:11.000 --> 00:20:17.000
 There are a total of five that are currently side by side.

00:20:17.000 --> 00:20:22.000
 They will be replaced with five double side sliders.

00:20:22.000 --> 00:20:32.000
 And there is one that is a solo single hung window, and that will be replaced by a fixed casement.

00:20:32.000 --> 00:20:41.000
 And then the remaining six sliders will be replaced by five sliders, similar in the sizes and also a encased window.

00:20:41.000 --> 00:20:54.000
 The window openings themselves and exterior material will not change. They will just simply be used and replace the window itself in those areas that you see here on the screen.

00:20:54.000 --> 00:21:11.000
 As you can see, the majority of them are the sides of the building on woodland, as well as the property to the south. From that vantage point, there is one window located in the front along Della Avenue.

00:21:11.000 --> 00:21:23.000
 These are just some submitted example of what the applicant has proposed. I will probably need to confirm with the applicant, but again, this is an example of what is being proposed.

00:21:23.000 --> 00:21:32.000
 It was included in the backup or the application that they submitted and included in your backup for you all to look and review.

00:21:32.000 --> 00:21:38.000
 They also submitted this as part of their submittal as well.

00:21:38.000 --> 00:21:53.000
 Understanding that this is part of the Della Avenue Historic District, the staff did look at the architectural standards requirements for that district and in particular windows that is covered under that section of the code.

00:21:53.000 --> 00:22:10.000
 As you can see here, I'm just going to read it for the record. Window openings should not be altered to accommodate replacement windows. Blocking down or blocking in the opening replacement windows should relate to and be appropriate for the age and architectural style of the structure.

00:22:10.000 --> 00:22:19.000
 And then number three, in situations where the original windows remain, every effort should be made to repair such windows rather than replace them outright.

00:22:19.000 --> 00:22:35.000
 Staff did consider these architectural requirements as part of our consideration and analysis, and staff recommends approval of the COA requests again to replace all of the exterior windows located at 1823 Belle Avenue.

00:22:35.000 --> 00:22:43.000
 With that, I'll stand for any questions. And again, I understand that the caller may or may not be on call.

00:22:43.000 --> 00:22:55.000
 Brian is here. So Brian is present. I just saw him on the screen. So if you have any questions for me, be happy to answer. And of course, the applicant is also present and can answer questions.

00:22:55.000 --> 00:23:03.000
 So I know they're going to be aluminum cloud wood. It's going to be the brushed aluminum finish on the exterior.

00:23:03.000 --> 00:23:16.000
 Yes, I had to search long and hard for a vendor that actually had a clear anodized aluminum window. Yeah, it's a premium, but yes, we're very interested in keeping the aluminum look.

00:23:16.000 --> 00:23:34.000
 And we tried very hard to figure out how to do how to save the single hung window, but we can't find one that won't cause the jam or the sash to be much wider than what exists now.

00:23:34.000 --> 00:23:56.000
 So it would increase the amount of aluminum around each window significantly almost double or triple in the case of the single hung windows, where the slider allows us to have a thinner profile to match what exists.

00:23:56.000 --> 00:24:07.000
 Do you have any questions? I'm a bit confused. I had a hard time because I originally had this on myself on it. I'm just confused what's going to actually replace it like a side by side view.

00:24:07.000 --> 00:24:19.000
 I see multi pane windows on the only picture you show. And there was something about having the difference. I'm particularly concerned about that front window what it exactly will look like.

00:24:19.000 --> 00:24:29.000
 It is a mid century modern. I mean, you've got the A-frame, you've got this nice vertical, this horizontal line, and the window has a horizontal. And so I'm a little confused if it's going to go multi-pane.

00:24:29.000 --> 00:24:37.000
 So I don't understand why those were just a sample was thrown at us in a bold new outlook, which always kind of scares me in a historic home.

00:24:37.000 --> 00:24:50.000
 So why didn't the applicant tell me? And I'll ask you. But I mean, saying it's not the same as sending it. If we saw it side by side, I'd probably be really happy right now. I'm not real happy because I can't compare exactly what is going to be there.

00:24:50.000 --> 00:25:01.000
 I'm just approving a hand wave, and that really worries me. Which dash is going? That was not clear. And I, you know, make it keep it simple. Most of us have day jobs, right?

00:25:01.000 --> 00:25:15.000
 Sure. This is all custom windows. They will not be multi-pane. We're trying to simplify that and keep with the original look of the structure. That's really essential to us.

00:25:15.000 --> 00:25:35.000
 Right now there are single hung windows, aluminum windows, that have a cross at the center line of the window, and there's a split rail, the mullion, through the center, which is the most obvious feature from the front view of the house.

00:25:35.000 --> 00:25:46.000
 It looks like two large panels of glass center with the center line down the middle of the aluminum. That's what's most visible from the door or from the side of the street.

00:25:46.000 --> 00:26:02.000
 And so we're trying to replicate that as much as possible with the two with a slider that will have that thin center band and a narrower frame on the outside.

00:26:02.000 --> 00:26:07.000
 John, maybe you could just show me that picture again.

00:26:07.000 --> 00:26:10.000
 That front view.

00:26:10.000 --> 00:26:15.000
 Let me try to pull that up real quick. I know because my cell phone is so small, it makes it really hard.

00:26:15.000 --> 00:26:26.000
 And I wish I could show you a window, but they're all going to have to be custom built so they don't have a picture of the exact window that we'll get.

00:26:26.000 --> 00:26:30.000
 Hopefully they will before they custom build it.

00:26:30.000 --> 00:26:33.000
 We have lots of options within.

00:26:33.000 --> 00:26:43.000
 So, please all can see that. This is the photo from the front along Bell Avenue.

00:26:43.000 --> 00:26:50.000
 The picture didn't, you know, when I looked at that on my little tiny cell phone, that little centerpiece there doesn't show at all.

00:26:50.000 --> 00:26:53.000
 Isn't that interesting? I mean, it was too small for my phone to see.

00:26:53.000 --> 00:26:55.000
 Let me see if I can get a better shot.

00:26:55.000 --> 00:27:02.000
 Yeah, that's a little bit better, but I must say, because it looks so much different on a cell phone.

00:27:02.000 --> 00:27:12.000
 Got it.

00:27:12.000 --> 00:27:18.000
 Okay, any other questions for Ron or for our owner?

00:27:18.000 --> 00:27:23.000
 We are certainly a quiet bunch today.

00:27:23.000 --> 00:27:29.000
 Okay, well, thank you, Ron, and we will move on.

00:27:29.000 --> 00:27:37.000
 The commission has four options as usual, approve is submitted, approve subject to conditions, deny or continue the item.

00:27:37.000 --> 00:27:43.000
 Any of those four would require a motion and a second to move to the discussion.

00:27:43.000 --> 00:27:45.000
 I am open for a motion.

00:27:45.000 --> 00:27:48.000
 I move that we approve.

00:27:48.000 --> 00:27:53.000
 Second.

00:27:53.000 --> 00:27:57.000
 Okay, we have a motion and a second, which opens it for discussion.

00:27:57.000 --> 00:28:19.000
 Floor is open.

00:28:19.000 --> 00:28:28.000
 Okay, we have a motion and a second.

00:28:28.000 --> 00:28:32.000
 That's a great question.

00:28:32.000 --> 00:28:39.000
 We typically try to report back to the HLC once the applicant has completed their project.

00:28:39.000 --> 00:28:41.000
 Often we try to do that.

00:28:41.000 --> 00:28:48.000
 We don't have it on an agenda, but certainly we can make that an agenda item so that we have it on our agenda to report back to you all.

00:28:48.000 --> 00:28:49.000
 Okay.

00:28:49.000 --> 00:28:51.000
 Thank you, Ron.

00:28:51.000 --> 00:28:53.000
 I have a question.

00:28:53.000 --> 00:28:58.000
 I don't know if I can see pictures, but right by, after they see before and after.

00:28:58.000 --> 00:28:59.000
 That's a great idea.

00:28:59.000 --> 00:29:01.000
 It's always fascinating.

00:29:01.000 --> 00:29:02.000
 I'm an HGTV lover.

00:29:02.000 --> 00:29:07.000
 I always like seeing things.

00:29:07.000 --> 00:29:13.000
 After the renovation.

00:29:13.000 --> 00:29:18.000
 I was excited about seeing it up on completion.

00:29:18.000 --> 00:29:28.000
 I didn't know if that was something that was put on the agenda for us to know pictures with renderings of it after completion or just submitted for FYI.

00:29:28.000 --> 00:29:30.000
 Thank you for entertaining that question.

00:29:30.000 --> 00:29:33.000
 We'll certainly try to put something on the agenda, maybe under concluding lines.

00:29:33.000 --> 00:29:41.000
 If we have any kind of thing to report, if not, then we'll just say that it will be something that we'll report at our next meeting.

00:29:41.000 --> 00:29:43.000
 I think that's a great idea.

00:29:43.000 --> 00:29:44.000
 I think that's a great idea.

00:29:44.000 --> 00:29:46.000
 I think that's a great idea.

00:29:46.000 --> 00:29:47.000
 I think that's a great idea.

00:29:47.000 --> 00:29:48.000
 I think that's a great idea.

00:29:48.000 --> 00:29:49.000
 I think that's a great idea.

00:29:49.000 --> 00:29:50.000
 I think that's a great idea.

00:29:50.000 --> 00:29:51.000
 I think that's a great idea.

00:29:51.000 --> 00:29:52.000
 I think that's a great idea.

00:29:52.000 --> 00:29:53.000
 I think that's a great idea.

00:29:53.000 --> 00:29:54.000
 I think that's a great idea.

00:29:54.000 --> 00:29:55.000
 I think that's a great idea.

00:29:55.000 --> 00:29:56.000
 I think that's a great idea.

00:29:56.000 --> 00:29:57.000
 I think that's a great idea.

00:29:57.000 --> 00:29:58.000
 I think that's a great idea.

00:29:58.000 --> 00:29:59.000
 I think that's a great idea.

00:29:59.000 --> 00:30:00.000
 I think that's a great idea.

00:30:00.000 --> 00:30:01.000
 I think that's a great idea.

00:30:01.000 --> 00:30:02.000
 I think that's a great idea.

00:30:02.000 --> 00:30:03.000
 I think that's a great idea.

00:30:03.000 --> 00:30:04.000
 I think that's a great idea.

00:30:04.000 --> 00:30:05.000
 I think that's a great idea.

00:30:11.000 --> 00:30:12.000
 I think that's a great idea.

00:30:12.000 --> 00:30:13.000
 I think that's a great idea.

00:30:13.000 --> 00:30:14.000
 I think that's a great idea.

00:30:14.000 --> 00:30:15.000
 I think that's a great idea.

00:30:15.000 --> 00:30:16.000
 I think that's a great idea.

00:30:16.000 --> 00:30:17.000
 I think that's a great idea.

00:30:17.000 --> 00:30:18.000
 I think that's a great idea.

00:30:18.000 --> 00:30:19.000
 I think that's a great idea.

00:30:19.000 --> 00:30:20.000
 I think that's a great idea.

00:30:20.000 --> 00:30:21.000
 I think that's a great idea.

00:30:21.000 --> 00:30:22.000
 I think that's a great idea.

00:30:22.000 --> 00:30:23.000
 I think that's a great idea.

00:30:23.000 --> 00:30:24.000
 I think that's a great idea.

00:30:24.000 --> 00:30:25.000
 I think that's a great idea.

00:30:25.000 --> 00:30:26.000
 I think that's a great idea.

00:30:26.000 --> 00:30:27.000
 I think that's a great idea.

00:30:27.000 --> 00:30:28.000
 I think that's a great idea.

00:30:28.000 --> 00:30:29.000
 I think that's a great idea.

00:30:29.000 --> 00:30:30.000
 I think that's a great idea.

00:30:30.000 --> 00:30:31.000
 I think that's a great idea.

00:30:31.000 --> 00:30:32.000
 I think that's a great idea.

00:30:32.000 --> 00:30:33.000
 I think that's a great idea.

00:30:41.000 --> 00:30:42.000
 I think that's a great idea.

00:30:42.000 --> 00:30:43.000
 I think that's a great idea.

00:30:43.000 --> 00:30:44.000
 I think that's a great idea.

00:30:44.000 --> 00:30:45.000
 I think that's a great idea.

00:30:45.000 --> 00:30:46.000
 I think that's a great idea.

00:30:46.000 --> 00:30:47.000
 I think that's a great idea.

00:30:47.000 --> 00:30:48.000
 I think that's a great idea.

00:30:48.000 --> 00:30:49.000
 I think that's a great idea.

00:30:49.000 --> 00:30:50.000
 I think that's a great idea.

00:30:50.000 --> 00:30:51.000
 I think that's a great idea.

00:30:51.000 --> 00:30:52.000
 I think that's a great idea.

00:30:52.000 --> 00:30:53.000
 I think that's a great idea.

00:30:53.000 --> 00:30:54.000
 I think that's a great idea.

00:30:54.000 --> 00:30:55.000
 I think that's a great idea.

00:30:55.000 --> 00:30:56.000
 I think that's a great idea.

00:30:56.000 --> 00:30:57.000
 I think that's a great idea.

00:30:57.000 --> 00:30:58.000
 I think that's a great idea.

00:30:58.000 --> 00:30:59.000
 I think that's a great idea.

00:30:59.000 --> 00:31:00.000
 I think that's a great idea.

00:31:00.000 --> 00:31:01.000
 I think that's a great idea.

00:31:01.000 --> 00:31:02.000
 I think that's a great idea.

00:31:02.000 --> 00:31:03.000
 I think that's a great idea.

00:31:12.000 --> 00:31:13.000
 I think that's a great idea.

00:31:13.000 --> 00:31:14.000
 I think that's a great idea.

00:31:14.000 --> 00:31:15.000
 I think that's a great idea.

00:31:15.000 --> 00:31:16.000
 I think that's a great idea.

00:31:16.000 --> 00:31:17.000
 I think that's a great idea.

00:31:17.000 --> 00:31:18.000
 I think that's a great idea.

00:31:18.000 --> 00:31:19.000
 I think that's a great idea.

00:31:19.000 --> 00:31:20.000
 I think that's a great idea.

00:31:20.000 --> 00:31:21.000
 I think that's a great idea.

00:31:21.000 --> 00:31:22.000
 I think that's a great idea.

00:31:22.000 --> 00:31:23.000
 I think that's a great idea.

00:31:23.000 --> 00:31:24.000
 I think that's a great idea.

00:31:24.000 --> 00:31:25.000
 I think that's a great idea.

00:31:25.000 --> 00:31:26.000
 I think that's a great idea.

00:31:26.000 --> 00:31:27.000
 I think that's a great idea.

00:31:27.000 --> 00:31:28.000
 I think that's a great idea.

00:31:28.000 --> 00:31:29.000
 I think that's a great idea.

00:31:29.000 --> 00:31:30.000
 I think that's a great idea.

00:31:30.000 --> 00:31:31.000
 I think that's a great idea.

00:31:31.000 --> 00:31:32.000
 I think that's a great idea.

00:31:32.000 --> 00:31:33.000
 I think that's a great idea.

00:31:33.000 --> 00:31:34.000
 I think that's a great idea.

00:31:41.000 --> 00:31:48.000
 Okay, our last item on the agenda is item D, which we move to the end is receive a report

00:31:48.000 --> 00:31:54.000
 and hold a discussion and give staff directions regarding 5G historic district poll options.

00:31:54.000 --> 00:32:00.000
 I believe this again is something Ron will present, so I'll turn it over to Ron.

00:32:00.000 --> 00:32:05.000
 Let me unmute myself.

00:32:05.000 --> 00:32:06.000
 Thank you, Chair.

00:32:06.000 --> 00:32:11.000
 Let me pull up my presentation.

00:32:11.000 --> 00:32:20.000
 It's actually a presentation that will be introduced from me, but ultimately will be

00:32:20.000 --> 00:32:23.000
 made by the requester.

00:32:23.000 --> 00:32:29.000
 And I'll get to right here.

00:32:29.000 --> 00:32:34.000
 Again, this is just to restate the agenda item.

00:32:34.000 --> 00:32:35.000
 This is to receive report.

00:32:35.000 --> 00:32:42.000
 And obviously there are some service polls, wireless facility service polls that are being

00:32:42.000 --> 00:32:45.000
 installed within the city currently.

00:32:45.000 --> 00:32:52.000
 However, the applicant has reached out to the city, me specifically, my department, but

00:32:52.000 --> 00:32:59.000
 also other departments in looking at where they're being proposed in a historic district.

00:32:59.000 --> 00:33:02.000
 I don't think they have one particularly identified yet.

00:33:02.000 --> 00:33:08.000
 However, they are looking at areas within the historic district or where there are existing

00:33:08.000 --> 00:33:14.000
 decorative streetlights, such as the downtown, and they would like to make sure that whatever

00:33:14.000 --> 00:33:23.000
 they are introducing in this area, one gets approved by the city and by the city means

00:33:23.000 --> 00:33:32.000
 that involves the Historic Landmark Commission and other stakeholders that have an important

00:33:32.000 --> 00:33:38.000
 say into what should be incorporated into our city streetscape.

00:33:38.000 --> 00:33:44.000
 The person that brought this request to the city, his name is Brandon Lehaen, and he is

00:33:44.000 --> 00:33:45.000
 actually on the call.

00:33:45.000 --> 00:33:51.000
 And I'm going to see if he's on the call and let him go through his presentation.

00:33:51.000 --> 00:33:59.000
 And again, what we're trying to see and what he's trying to get from the commission is

00:33:59.000 --> 00:34:00.000
 your input.

00:34:00.000 --> 00:34:05.000
 And as we move forward, as they move forward, that is, they hopefully will take your input

00:34:05.000 --> 00:34:11.000
 and present that when they have a location identified for the areas that we described.

00:34:11.000 --> 00:34:20.000
 So Brandon, are you on the call?

00:34:20.000 --> 00:34:30.000
 Monica, do you have Brandon on the call?

00:34:30.000 --> 00:34:31.000
 >> Ron, this is Rachel.

00:34:31.000 --> 00:34:32.000
 He is there.

00:34:32.000 --> 00:34:34.000
 He just needs to unmute himself.

00:34:34.000 --> 00:34:36.000
 >> Hey, Ron, I'm unmuted now.

00:34:36.000 --> 00:34:37.000
 Thank you.

00:34:37.000 --> 00:34:38.000
 >> Okay.

00:34:38.000 --> 00:34:39.000
 Great, Brandon.

00:34:39.000 --> 00:34:43.000
 I'm going to -- I know you're probably -- I don't know if you have the presentation or

00:34:43.000 --> 00:34:49.000
 not the presentation, but the meeting on your screen, but I'm going to show the slide.

00:34:49.000 --> 00:34:58.000
 That shows the image of the proposed poll that you sent me earlier.

00:34:58.000 --> 00:35:01.000
 So that's what's showing right now for the HLC commissioner.

00:35:01.000 --> 00:35:05.000
 So why don't you go ahead and just a little bit introduce yourself and what you're trying

00:35:05.000 --> 00:35:07.000
 to get from this commission.

00:35:07.000 --> 00:35:08.000
 >> Oh, for sure.

00:35:08.000 --> 00:35:10.000
 Well, yeah, my name is Brandon Lehan.

00:35:10.000 --> 00:35:12.000
 Thanks for everybody joining today.

00:35:12.000 --> 00:35:16.000
 I'm helping Verizon bring 5G to the city of Denton.

00:35:16.000 --> 00:35:22.000
 And in doing that, a lot of these were looking at street lot polls, or most certainly street

00:35:22.000 --> 00:35:24.000
 lot poll locations and replacement poll options.

00:35:24.000 --> 00:35:28.000
 We're working with the city and textile for a lot of these locations.

00:35:28.000 --> 00:35:32.000
 But as we're kind of working around the square, we saw that a lot of these existing street

00:35:32.000 --> 00:35:36.000
 lots were being replaced with the more decorative options.

00:35:36.000 --> 00:35:40.000
 And so we're seeing and trying to present options that makes everybody happy.

00:35:40.000 --> 00:35:46.000
 We know we want to bring 5G and get everybody up to speed here and see what -- basically

00:35:46.000 --> 00:35:51.000
 what designs would be approved in this area and what feedback you guys have for the proposed

00:35:51.000 --> 00:35:52.000
 design here.

00:35:52.000 --> 00:36:02.000
 And just kind of go from there, just to get the ball rolling with the discussion, really.

00:36:02.000 --> 00:36:07.000
 But as of now, so the design you're seeing, if I'm seeing correctly, this would be like a

00:36:07.000 --> 00:36:12.000
 stealth design, where in a nutshell, it would have the intent at the top of the poll.

00:36:12.000 --> 00:36:18.000
 And talking with the city, one of their requests they were having was to have it a color green

00:36:18.000 --> 00:36:24.000
 to match the existing polls there and to have the acorn light fixture with the arm upward.

00:36:24.000 --> 00:36:30.000
 And so we were able to provide a design that closely resembled to what the city was requesting.

00:36:30.000 --> 00:36:34.000
 And then just wanted to present it to you guys to see what feedback you have.

00:36:34.000 --> 00:36:39.000
 If this would be a possible option for us to proceed with for the area or the downtown

00:36:39.000 --> 00:36:43.000
 area or just what questions you would have or anything on those lines.

00:36:43.000 --> 00:36:49.000
 But that's my little intro, and I'll turn it over to you guys for any questions or feedback.

00:36:49.000 --> 00:36:50.000
 >> Okay.

00:36:50.000 --> 00:36:52.000
 Well, I'll just open the floor.

00:36:52.000 --> 00:36:57.000
 There is not -- this is not something that requires a motion or approval.

00:36:57.000 --> 00:37:00.000
 It's just a discussion meeting.

00:37:00.000 --> 00:37:03.000
 So just go for it.

00:37:03.000 --> 00:37:06.000
 If I can just provide some clarification.

00:37:06.000 --> 00:37:10.000
 The green was because of the existing green along the square.

00:37:10.000 --> 00:37:12.000
 We know we have some light poles there.

00:37:12.000 --> 00:37:19.000
 However, there are areas within the Oak Hickory Historic District as well as areas around

00:37:19.000 --> 00:37:25.000
 the square where the pedestrian scale lighting is colored black.

00:37:25.000 --> 00:37:29.000
 So I don't think the color per se is a critical input.

00:37:29.000 --> 00:37:35.000
 I know we want to match as closely as possible, especially if it's along the same street.

00:37:35.000 --> 00:37:39.000
 But I think it's more or less the design and what we're looking for.

00:37:39.000 --> 00:37:45.000
 We did want them to find something that matches the acorn lighting that is predominantly

00:37:45.000 --> 00:37:50.000
 around the area, and we wanted that to be reflective of what they're proposing.

00:37:50.000 --> 00:37:53.000
 So this is one of the examples that they provided.

00:37:53.000 --> 00:37:56.000
 And again, wanting to hear from the HLC.

00:37:56.000 --> 00:38:00.000
 >> So in this picture that we're seeing, it looks like there's a smaller pole in the

00:38:00.000 --> 00:38:04.000
 background, and I guess that's kind of an example of like what's our existing light pole?

00:38:04.000 --> 00:38:10.000
 >> No, that's not -- no, those are -- I think those are just to illustrate -- I think it's

00:38:10.000 --> 00:38:14.000
 the same, but for what they're proposing.

00:38:14.000 --> 00:38:20.000
 What we have existing is a single acorn light, not a double acorn light.

00:38:20.000 --> 00:38:26.000
 >> Okay. And then I guess like in what they're proposing as well, like the extra large base

00:38:26.000 --> 00:38:30.000
 is to house your equipment?

00:38:30.000 --> 00:38:31.000
 >> Correct.

00:38:31.000 --> 00:38:32.000
 Yes, ma'am.

00:38:32.000 --> 00:38:35.000
 The base of it would be where the equipment would be housed, that's correct.

00:38:35.000 --> 00:38:36.000
 Yes, ma'am.

00:38:36.000 --> 00:38:38.000
 It would be all enclosed in this stealth structure.

00:38:38.000 --> 00:38:42.000
 So you wouldn't have any additional -- everything would be enclosed in there, correct?

00:38:42.000 --> 00:38:49.000
 >> How tall is that base, like the kind of acorn squash-shaped base thing?

00:38:49.000 --> 00:38:50.000
 Is that about four feet?

00:38:50.000 --> 00:38:53.000
 >> The base itself, roughly around two feet, yes, ma'am.

00:38:53.000 --> 00:38:58.000
 I don't have the specs exactly from me, but for this exact model per se.

00:38:58.000 --> 00:39:02.000
 But the ones we were looking at earlier, the foundations are the base equipment itself

00:39:02.000 --> 00:39:06.000
 was about a two, two and a half foot height there.

00:39:06.000 --> 00:39:09.000
 And the pole itself was roughly at 30 feet, the top of the pole.

00:39:09.000 --> 00:39:10.000
 >> Yeah.

00:39:10.000 --> 00:39:12.000
 Now, like I was just wondering, because like actually the base looks like it's as tall

00:39:12.000 --> 00:39:15.000
 as the stop sign in this particular picture.

00:39:15.000 --> 00:39:20.000
 So like it looks like that really large part was like four to five feet tall.

00:39:20.000 --> 00:39:25.000
 But so the poles are 30 feet, which is really pretty tall compared to like --

00:39:25.000 --> 00:39:27.000
 where is our standard lights?

00:39:27.000 --> 00:39:29.000
 How high are they, Ron, do you know?

00:39:29.000 --> 00:39:32.000
 >> I think they're up to -- not 30.

00:39:32.000 --> 00:39:37.000
 I would say maybe between 15 to 20.

00:39:37.000 --> 00:39:39.000
 >> I'm guessing about 20.

00:39:39.000 --> 00:39:43.000
 They have one right at my house, but I never thought of that.

00:39:43.000 --> 00:39:48.000
 >> I have a question actually as to -- the height seems a little out of proportion

00:39:48.000 --> 00:39:50.000
 where the light itself is.

00:39:50.000 --> 00:39:55.000
 I think Janelle has the right point is the proportions are certainly kind of wacky.

00:39:55.000 --> 00:39:56.000
 >> Yeah.

00:39:56.000 --> 00:39:58.000
 I think it's just a Photoshop, but still.

00:39:58.000 --> 00:40:01.000
 >> Yeah, it still looks all -- it all looks not right.

00:40:01.000 --> 00:40:07.000
 >> I think this may have been, I mean, looking at the street, the stop sign, that is,

00:40:07.000 --> 00:40:10.000
 it's pretty tall and a pretty wide base.

00:40:10.000 --> 00:40:16.000
 So Brennan, I don't know, I know that this is an illustration that you were sent.

00:40:16.000 --> 00:40:22.000
 There is a -- if you can get a hold of the dimensions, that would be helpful in --

00:40:22.000 --> 00:40:24.000
 for our discussion.

00:40:24.000 --> 00:40:28.000
 >> Yeah, because what I'm guessing is somebody has Photoshopped this in and made it,

00:40:28.000 --> 00:40:30.000
 like that's probably as tall as 30 feet.

00:40:30.000 --> 00:40:34.000
 30 feet is actually really pretty high, but like our lights would probably be lower

00:40:34.000 --> 00:40:36.000
 and the base would probably be lower.

00:40:36.000 --> 00:40:41.000
 So I'm not sure if somebody just, like, blew something up and put it on a picture,

00:40:41.000 --> 00:40:43.000
 but it's a little confusing.

00:40:43.000 --> 00:40:45.000
 It's hard to really assess.

00:40:45.000 --> 00:40:47.000
 And also, like, it would be nice to know the locations.

00:40:47.000 --> 00:40:53.000
 Like, where are these actually going to be located on the square and in a residential area?

00:40:53.000 --> 00:40:58.000
 Like, the actual spots that you're choosing to put them would make a difference in how they --

00:40:58.000 --> 00:41:03.000
 >> Yeah, no, we'll definitely come back to the architectural style and design,

00:41:03.000 --> 00:41:12.000
 but I've got a slide that the applicant -- or not the applicant, but Brennan had provided.

00:41:12.000 --> 00:41:19.000
 So this is, I believe, Brennan, correct me if I'm wrong, the tacks or the pins that are yellow,

00:41:19.000 --> 00:41:23.000
 are those the locations that you're proposing?

00:41:23.000 --> 00:41:25.000
 >> Correct, yes, sir.

00:41:25.000 --> 00:41:28.000
 And those pins, they basically, when working with D&E,

00:41:28.000 --> 00:41:31.000
 they had sent us a list of where their existing street lots were.

00:41:31.000 --> 00:41:37.000
 And so when we actually had people in the field go actually take photos of, like, these preliminary reviews,

00:41:37.000 --> 00:41:41.000
 and they discovered that during that time they were actually being replaced

00:41:41.000 --> 00:41:44.000
 with the more decorative options that are currently being installed there.

00:41:44.000 --> 00:41:50.000
 And so, yeah, it just kind of presented the, I guess, opportunity for us to get something in place

00:41:50.000 --> 00:41:52.000
 that everybody would be more happy with,

00:41:52.000 --> 00:41:56.000
 as opposed to trying to proceed with the integrated poles that just would not match

00:41:56.000 --> 00:41:58.000
 or kind of be out of whack for this area.

00:41:58.000 --> 00:42:03.000
 But to answer your question in short, yeah, the pins there are basically the proposed locations

00:42:03.000 --> 00:42:07.000
 or a general location of where the -- an existing street light was

00:42:07.000 --> 00:42:10.000
 to where it's been replaced with a decorative light now.

00:42:10.000 --> 00:42:15.000
 So it would be something that kind of follows in line for those locations.

00:42:15.000 --> 00:42:17.000
 >> So it looks like that number actually quite on the square.

00:42:17.000 --> 00:42:22.000
 It looks like we have one on each side, one in front of the old building that the window replacement --

00:42:22.000 --> 00:42:23.000
 >> See that one?

00:42:23.000 --> 00:42:27.000
 >> Yeah, that we talked about recently, one at the church,

00:42:27.000 --> 00:42:31.000
 one across the street from the church, and then one over there.

00:42:31.000 --> 00:42:33.000
 >> Yeah, I think they're replacing them all.

00:42:33.000 --> 00:42:37.000
 In fact, Hickory is going to get a whole bunch of new light poles, I think,

00:42:37.000 --> 00:42:42.000
 with the redesign of Hickory up north of -- west of Carroll.

00:42:42.000 --> 00:42:46.000
 So I think they're going to be putting a whole bunch in as they go down.

00:42:46.000 --> 00:42:49.000
 So it would be nice if they all matched up to the ones, for example, on Oak.

00:42:49.000 --> 00:42:53.000
 They're supposed to lead to the downtown area.

00:42:53.000 --> 00:42:57.000
 And that being the case, I wonder, besides proportionality,

00:42:57.000 --> 00:43:03.000
 one of the things that I've seen in many of the cities that try to look rather trendy

00:43:03.000 --> 00:43:09.000
 and are rather popular and upscale, something like McKinney or Grapevine or other cities,

00:43:09.000 --> 00:43:15.000
 have the little arms on their light poles that you can hang banners and flowers from,

00:43:15.000 --> 00:43:17.000
 something that's quite nice, something that's quite decorative.

00:43:17.000 --> 00:43:20.000
 And given you don't want to put it all over the city like this,

00:43:20.000 --> 00:43:24.000
 something close to downtown that you could put up little signs about, you know,

00:43:24.000 --> 00:43:28.000
 this is the -- you know, whatever festival is coming up, just to advertise it.

00:43:28.000 --> 00:43:31.000
 And there are lights like this all around Denton already.

00:43:31.000 --> 00:43:35.000
 They're kind of ugly silver, but, you know, you could change that to be more historic.

00:43:35.000 --> 00:43:41.000
 And then maybe for spring or summer, you know, be able to put up some flowers that look rather nice.

00:43:41.000 --> 00:43:47.000
 I mean, we have some flower pots on the square, but maybe just on the square use those.

00:43:47.000 --> 00:43:51.000
 And I think that these 5G poles are just 5G poles.

00:43:51.000 --> 00:43:54.000
 They'll be different than the other lights that they're putting up.

00:43:54.000 --> 00:43:56.000
 Like, those are pretty -- I like the ones with the flower baskets on them.

00:43:56.000 --> 00:44:01.000
 But I think that, like, looking at the map of where these are located,

00:44:01.000 --> 00:44:06.000
 these are just specific that Verizon's putting in for the city.

00:44:06.000 --> 00:44:09.000
 They're not going to do the rest of the lights that the city are putting in.

00:44:09.000 --> 00:44:13.000
 So they're just trying to match these to kind of look like what the city is putting in.

00:44:13.000 --> 00:44:18.000
 But what would they look like if they didn't try to match?

00:44:18.000 --> 00:44:21.000
 I'm just asking -- these are just questions.

00:44:21.000 --> 00:44:24.000
 Like, if -- because the locations that you were showing on that map,

00:44:24.000 --> 00:44:27.000
 they're really not in the heart of downtown or --

00:44:27.000 --> 00:44:30.000
 Well, some of them aren't in the heart of the historic district.

00:44:30.000 --> 00:44:35.000
 They have hickory and oak on there, so it does matter if they would be talking to us again.

00:44:35.000 --> 00:44:37.000
 Yeah, no, it does.

00:44:37.000 --> 00:44:44.000
 I'm kind of curious, like, where you put them in other places, are they just like a black pole with a box,

00:44:44.000 --> 00:44:47.000
 a square box at the base?

00:44:47.000 --> 00:44:51.000
 Similar to -- so an example up now, it would be similar to that design,

00:44:51.000 --> 00:44:55.000
 except it would have a eight-foot light arm near the top of the pole.

00:44:55.000 --> 00:44:57.000
 Oh, just a mark.

00:44:57.000 --> 00:45:00.000
 Yes, ma'am, it would be a metallic silver in color,

00:45:00.000 --> 00:45:04.000
 and the foundation would be a little less -- or the base would be a little less decorative.

00:45:04.000 --> 00:45:09.000
 It's more of a -- kind of more of a cylinder instead of like the kind of flouted

00:45:09.000 --> 00:45:13.000
 or just kind of beveled bottom there.

00:45:13.000 --> 00:45:16.000
 Have you put any of these up anywhere else?

00:45:16.000 --> 00:45:18.000
 Just out of curiosity.

00:45:18.000 --> 00:45:22.000
 This design, I'm not 100% sure we could take it back to Verizon,

00:45:22.000 --> 00:45:29.000
 but this was one of the photos that they had for one of the -- I guess their -- what would you call it?

00:45:29.000 --> 00:45:33.000
 The mock-ups of the Insta are basically like a photo simulation for what it would like installed.

00:45:33.000 --> 00:45:38.000
 I can go back and see if they have any that have actually been like in the field installed

00:45:38.000 --> 00:45:43.000
 to give you a better up close -- I guess picture of what it would look like or the after,

00:45:43.000 --> 00:45:48.000
 and then get some more questions about the proportions and foundation for us.

00:45:48.000 --> 00:45:50.000
 Yeah, that would be helpful.

00:45:50.000 --> 00:45:54.000
 I would want to see pictures of this pole right next to one that exists now

00:45:54.000 --> 00:45:58.000
 so I can see how different it really is.

00:45:58.000 --> 00:46:03.000
 And -- because, you know, if there was even a car parked there next to it,

00:46:03.000 --> 00:46:06.000
 it would give you some sense of how big that is.

00:46:06.000 --> 00:46:11.000
 But if you could do a diagram with this pole and a current pole,

00:46:11.000 --> 00:46:16.000
 then, you know, I think it would seem a little easier.

00:46:16.000 --> 00:46:24.000
 And my question is on a lot of these, why aren't these antennas on the building roofs?

00:46:24.000 --> 00:46:29.000
 It's a different -- it's more of a macro project, so without getting too in the weeds to it.

00:46:29.000 --> 00:46:31.000
 They work hand-in-hand.

00:46:31.000 --> 00:46:36.000
 This will offload a lot of the service going -- like the big macro rooftop sites.

00:46:36.000 --> 00:46:38.000
 Those are like kind of a bigger service area.

00:46:38.000 --> 00:46:41.000
 These are more of a smaller service area and help offload that,

00:46:41.000 --> 00:46:46.000
 creating more of a network, so to say, opposed to like big coverage areas.

00:46:46.000 --> 00:46:48.000
 But yeah, they do work hand-in-hand,

00:46:48.000 --> 00:46:54.000
 so there may actually be some other projects going on for the rooftop locations as well.

00:46:54.000 --> 00:46:56.000
 So my question -- maybe it's for Ron.

00:46:56.000 --> 00:46:59.000
 I'm not sure if it's Ron or Ben.

00:46:59.000 --> 00:47:03.000
 So are we going to have like presentations like this for people other than Verizon?

00:47:03.000 --> 00:47:09.000
 How are we going to accommodate all of the providers, the cell 5G providers?

00:47:09.000 --> 00:47:12.000
 Certainly Verizon isn't the only one.

00:47:12.000 --> 00:47:17.000
 Are we all going to go in one same tower, or are there going to be lots of these going around?

00:47:17.000 --> 00:47:23.000
 My -- I don't have a 100% answer to that, Commissioner Anderson.

00:47:23.000 --> 00:47:28.000
 My understanding is that we want to co-locate as many as possible

00:47:28.000 --> 00:47:30.000
 and to not introduce as many of this.

00:47:30.000 --> 00:47:32.000
 So I think being Verizon being the first,

00:47:32.000 --> 00:47:39.000
 I think this is going to be just as located as -- you know, less clutter as possible.

00:47:39.000 --> 00:47:41.000
 And that's the hope.

00:47:41.000 --> 00:47:45.000
 I know that every application that gets submitted to the city is reviewed,

00:47:45.000 --> 00:47:51.000
 and there are site inspections to make sure that that is achieved.

00:47:51.000 --> 00:47:55.000
 Now, this being close to downtown and potentially close to any historic district

00:47:55.000 --> 00:47:58.000
 or within historic districts,

00:47:58.000 --> 00:48:03.000
 we're starting to make sure that we get input from the historic districts

00:48:03.000 --> 00:48:08.000
 and the commission as part of this effort.

00:48:08.000 --> 00:48:13.000
 What I would like -- and I was telling Brennan when he was talking to me was, you know,

00:48:13.000 --> 00:48:18.000
 the architectural -- is it -- obviously proportionality -- proportion is important,

00:48:18.000 --> 00:48:23.000
 but also the architectural to match what is out there now is also important.

00:48:23.000 --> 00:48:25.000
 And so that's why we're here.

00:48:25.000 --> 00:48:36.000
 And we obviously -- our goal is to limit the amount of these in the area as much as possible.

00:48:36.000 --> 00:48:41.000
 Okay, do we have any other questions for Ron or our presenter?

00:48:41.000 --> 00:48:44.000
 Ron, is it -- what department in the city?

00:48:44.000 --> 00:48:50.000
 Is it the parks or is it public works that it's putting in the new light poles?

00:48:50.000 --> 00:48:53.000
 Not these, but the --

00:48:53.000 --> 00:48:54.000
 The city.

00:48:54.000 --> 00:48:57.000
 I think it's streets.

00:48:57.000 --> 00:49:01.000
 So it's a combination of a number of different departments.

00:49:01.000 --> 00:49:06.000
 It's not just one department being a city installed lights.

00:49:06.000 --> 00:49:07.000
 Yeah.

00:49:07.000 --> 00:49:12.000
 It would be great to see the ones we're putting in and then kind of -- like Roy was saying,

00:49:12.000 --> 00:49:17.000
 it would be good to compare the real ones that we're getting side by side,

00:49:17.000 --> 00:49:23.000
 like just even an architectural elevation where we could really see the dimensions.

00:49:23.000 --> 00:49:24.000
 Right.

00:49:24.000 --> 00:49:25.000
 I think --

00:49:25.000 --> 00:49:26.000
 Yes, ma'am.

00:49:26.000 --> 00:49:28.000
 I'm sorry.

00:49:28.000 --> 00:49:29.000
 Sorry, Brennan.

00:49:29.000 --> 00:49:31.000
 I'm just going to go through my list real quick.

00:49:31.000 --> 00:49:42.000
 A proportional analysis, I guess, to show what that proposed pole is compared to an existing light.

00:49:42.000 --> 00:49:47.000
 Two is to provide dimensions so that we have a better idea of how dimension this is,

00:49:47.000 --> 00:49:52.000
 not only height but also the base and what that circumference is or diameter is.

00:49:52.000 --> 00:49:58.000
 And then last is any existing poles that are already installed,

00:49:58.000 --> 00:50:04.000
 really installed, not a photo generated visual as what's shown here.

00:50:04.000 --> 00:50:08.000
 If that is something that the applicant can present, we may be able to --

00:50:08.000 --> 00:50:14.000
 we will be able to bring it back to the commission for further discussion.

00:50:14.000 --> 00:50:16.000
 And if there's anything else you would like to see,

00:50:16.000 --> 00:50:23.000
 please let us know so that we can provide that for our next discussion.

00:50:23.000 --> 00:50:28.000
 I would sort of like to see a map of where the street lights are already scheduled to be replaced,

00:50:28.000 --> 00:50:34.000
 sort of here's where what we have now is and what they're going to look like

00:50:34.000 --> 00:50:37.000
 and here are how many in the placement of these.

00:50:37.000 --> 00:50:42.000
 Does it be nice if there were some sort of symmetry involved somehow?

00:50:42.000 --> 00:50:46.000
 Brennan, can you talk a little bit about how you locate these poles?

00:50:46.000 --> 00:50:54.000
 Is it based off of distance from one another and how is that determined?

00:50:54.000 --> 00:50:56.000
 Exactly, yes, sir.

00:50:56.000 --> 00:51:01.000
 So it's basically a very -- without getting too deep into the weeds of the RF engineering,

00:51:01.000 --> 00:51:08.000
 but they have what they call polygons set up to basically establish their optimal service for the area.

00:51:08.000 --> 00:51:13.000
 And so in RF engineers, here's the center of our polygon.

00:51:13.000 --> 00:51:18.000
 We're looking for a replacement pole within X amount of feet of this,

00:51:18.000 --> 00:51:22.000
 and that's basically what we do is present options to them.

00:51:22.000 --> 00:51:27.000
 And we're working with EME, we were originally targeting the street light replacements

00:51:27.000 --> 00:51:31.000
 as our kind of path of leaf resistance and lowest hanging fruit

00:51:31.000 --> 00:51:35.000
 and then we'll look to more of a raw land build for any new sites from there.

00:51:35.000 --> 00:51:38.000
 But in short, yeah, it's basically RF polygons

00:51:38.000 --> 00:51:44.000
 and that are basically crafted to meet his desired service outputs for the area,

00:51:44.000 --> 00:51:48.000
 and that's where we set there.

00:51:48.000 --> 00:51:50.000
 I hope that answers your question clearly enough,

00:51:50.000 --> 00:51:55.000
 but I can kind of go into more detail if not without getting too crazy.

00:51:55.000 --> 00:52:00.000
 Brennan, do you have -- do you know where our historic districts are located?

00:52:00.000 --> 00:52:05.000
 Do you have any in the plans in your future?

00:52:05.000 --> 00:52:12.000
 I know I have another exhibit that shows where one is proposed within the Oak Creek Historic District,

00:52:12.000 --> 00:52:17.000
 but it's not necessarily in the district, it's just adjacent to.

00:52:17.000 --> 00:52:23.000
 I was just wondering if you knew where you guys are thinking of in the future

00:52:23.000 --> 00:52:26.000
 within the historic district or districts?

00:52:26.000 --> 00:52:30.000
 As of now, the previous snapshot of just those locations,

00:52:30.000 --> 00:52:35.000
 I believe like the four or five locations in that snapshot or aerial view,

00:52:35.000 --> 00:52:38.000
 was currently what we have for the historic district.

00:52:38.000 --> 00:52:44.000
 That way I do have a KMZ that the city did provide that overlays their historic zones,

00:52:44.000 --> 00:52:49.000
 and it was really just those and then the ones, it was like City Notes 5, I believe,

00:52:49.000 --> 00:52:52.000
 just off memory that was kind of a little further away.

00:52:52.000 --> 00:52:55.000
 I think it was on East Oak Street or -- Oak Street anyway.

00:52:55.000 --> 00:52:57.000
 But basically that's how it got started.

00:52:57.000 --> 00:53:00.000
 We were proposing the location for that one.

00:53:00.000 --> 00:53:06.000
 We kind of had a hands-off the downtown area until we really kind of had a path forward with this.

00:53:06.000 --> 00:53:13.000
 And then talking with the city, we were informed that that location also need to be a historic design.

00:53:13.000 --> 00:53:16.000
 And so we kind of opened the door for maybe a little bit more of this conversation

00:53:16.000 --> 00:53:20.000
 instead of maybe putting these on the back burner and then trying to work for design

00:53:20.000 --> 00:53:24.000
 that covers and is kind of complete throughout without changing.

00:53:24.000 --> 00:53:29.000
 Well, having too much wonky, like kind of keep a consistent flow with everything in the city there,

00:53:29.000 --> 00:53:32.000
 the historic district, I should say.

00:53:32.000 --> 00:53:38.000
 The reason I was asking is because obviously the next meeting for the HLC is -- we have one in December.

00:53:38.000 --> 00:53:39.000
 We may not have one.

00:53:39.000 --> 00:53:42.000
 It may roll back to January.

00:53:42.000 --> 00:53:47.000
 So just wanted to know your schedule and obviously we want to make sure we get input from the commission

00:53:47.000 --> 00:53:51.000
 before anything is submitted and reviewed.

00:53:51.000 --> 00:53:54.000
 Oh, no, we have not.

00:53:54.000 --> 00:53:58.000
 We're definitely clearing this through all the appropriate parties and commissions

00:53:58.000 --> 00:54:02.000
 and make sure everybody's on board and everybody's happy with the designs being presented

00:54:02.000 --> 00:54:06.000
 before we file for any right-of-way permits or anything like that.

00:54:06.000 --> 00:54:09.000
 But with the rest of the city, we are going through the right-of-way

00:54:09.000 --> 00:54:15.000
 and replacing just the standard D&E light poles with the approved design there.

00:54:15.000 --> 00:54:23.000
 But for the historic purposes, it's really just those two aerial views for now.

00:54:23.000 --> 00:54:24.000
 Okay.

00:54:24.000 --> 00:54:25.000
 Okay.

00:54:25.000 --> 00:54:27.000
 Well, thank you very much.

00:54:27.000 --> 00:54:30.000
 Any other questions or comments?

00:54:30.000 --> 00:54:32.000
 No, I don't hear any.

00:54:32.000 --> 00:54:37.000
 So if we could have a motion to adjourn.

00:54:37.000 --> 00:54:39.000
 Mary is muted, but I can --

00:54:39.000 --> 00:54:41.000
 And I move to adjourn.

00:54:41.000 --> 00:54:43.000
 I'm ready to go.

00:54:43.000 --> 00:54:47.000
 All those in favor, just raise your hand and wave.

00:54:47.000 --> 00:54:49.000
 That's enough.

00:54:49.000 --> 00:54:50.000
 We stand adjourned.

00:54:50.000 --> 00:54:51.000
 Thank you very much.

00:54:51.000 --> 00:54:52.000
 Thank you.

